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As someone who feels herself to be “outside” of everything, Anna has difficulty forming and expressing her sense of self. exclusion.Īnother fascinating detail: Anna erasing a person from the middle of her drawing. From the sand pits to the stepping stones to the perimeter of the playground, everything visually represents that concept of inclusion vs. There’s a clear visual metaphor here to support Anna’s declaration that, “These people are inside the circle, and I’m outside.” We see very plainly contrasting dark/light sections of the shot, as well as the physical circles which constitute the park, itself. The first time we meet the main character, Anna, she’s by herself, and on the side of the bench that’s in the shade. The line by itself carries a lot of weight in the story, and it’s bolstered by both the circle imagery and dark/light imagery that’s generously interspersed throughout the movie. Take this distinctive first line, for example. Each shot, likewise, feels deliberately detailed. Yonebayashi’s directing is honestly at its best here, and the script doesn’t have any fluff in it: it’s all carefully chosen and thematically relevant.
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One of the things that impresses me most about the film is how much it manages to communicate just in the first five minutes, alone. As far as Ghiblis go, it’s one of the most underrated. It’s visually stunning, atmospheric, well-directed, emotionally rich, has an varied and relatable cast of characters etc.
#WHEN MARNIE WAS THERE REDDIT MOVIE#
Ok, so When Marnie Was There is my absolute favorite movie of all time, you guys.